* A full, playable arrangement of Go For It, a 12 bar Blues with intro\/outro, and 2 part harmony through the head:<\/strong><\/p>\n – Part One and Two notated for Concert Treble\/Bass Clef, Bb, Eb Instruments<\/strong> *Complete solos progressing from a single scale to advanced harmonies and rhythms:<\/strong><\/p>\n – Six choruses of written solos progress through three levels of improvisation.<\/strong><\/p>\n Level One:<\/strong> Level Two:<\/strong> Level Three:<\/strong> *Full analysis for understanding of scale application:<\/strong><\/p>\n – Scale appendix showing the scales used to make the solos<\/strong> *Dorian, Dominant, Major, and Blues Scales in all keys for all instruments<\/strong><\/p>\n\n
\n– Rhythm section parts for Guitar, Piano, Bass, and Drums<\/strong><\/p>\n
\nChorus 1: Use of the Blues Scale,<\/strong>
\nChorus 2: Introduces use of the Chord Scales.<\/strong><\/p>\n
\nChorus 3: Introduces the use of the Dominant Bebop Scale<\/strong>
\nChorus 4: Introduces alterations to the Chord Scales and the Bebop Scale<\/strong><\/p>\n
\nChorus 5: Alterations to the Chord Scales and the Bebop Scale with added Rhythmic Complexity<\/strong>
\nChorus 6: Combines all elements<\/strong><\/p>\n
\n– Notes for understanding the use chord tones, labeling of passing tones, and viewing of solo analysis<\/strong>
\n– Indication of which scale is presently being used throughout the solo phrases<\/strong>
\n– Each note used in the solos labeled according to chord function<\/strong>
\n– Analysis of the solos reveals how chord tones emphasized on strong beats create authentic jazz improvisation<\/strong><\/p>\n